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And there sits modern-day Jim Carrey, with his grayed suave-werewolf beard and piercing stare, perfectly lucid and alluringly calm and frightfully intense. Lawler snaps twice on-camera, first throttling Jim-as-Andy while yelling, “Anytime I want to, I can do this to you!The thing Carrey has just said, on-camera, to prompt the crazy-shit response off-camera is, “I wonder what would happen if I decided to just , adhering to the infamous Method-acting school by refusing to break character when portraying both Kaufman and Kaufman’s own famously boorish and loathsome alter ego, Tony Clifton. ” The second altercation, during a big wrestling scene, is severe enough that Carrey winds up in the hospital, a highly publicized fiasco that happened to precisely mirror Andy Kaufman’s version of real life. But all this subversion very clearly terrorized quite a few innocent bystanders and crew members just trying to do their jobs. This is “Jared Leto in ”–type stuff, and while none of these antics individually rise above the level of mild-to-pronounced irritation (on his coworkers’ part, and also yours), the accumulated unease gets harder and harder to process. His Method-acting antics—as “Andy,” and especially as “Tony”—range from the harmless (turning up radios too loud) to the worrisome (lots of frivolous verbal abuse lobbed at fellow actors and crew members alike) to the actively hostile (a few flung cups of water, an emphatic bout of spitting).I trusted him that there could be something more than just an analysis of a making of.” performance, the resulting doc is a must-watch breaking down the footage that Universal prevented the world from seeing in the belief it would harm the original film's box office.Did Smith and Jonze ever struggle with the balancing act?I think it's easy to dismiss some of his work as fun and entertaining but [if you] look at it through the perspective of the way he's talking about it, you understand there's always something about every decision he made in terms of the work that he was doing.” Considering Carrey's film star status, Smith ascertains that the actor was “not prescriptive in any way.” “He was very hands-off in terms of letting us dive into this material.I don't think he had a great grasp of what we'd covered in the interview.
” he shouts at his most animated; usually, his feelings about Carrey are more diplomatic.
's Milos Forman), entertainment of his co-stars (Danny De Vito, Courtney Love) and wonder of the world.
His controversial transformation was caught on camera, the buried footage of which has endured as something close to Hollywood legend. “I only watched it a couple of years ago," Jonze recalls.
Both the old footage and the present-day commentary on that footage hints at a darkness that Famous ’90s Jim radiated outward, and Reclusive 2010s Jim now trains inward.
The world—or at least the set of the next Jim Carrey movie—is better off. At one point late in , Carrey fires off a lengthy monologue about the displeasures of massive fame and the total pleasures of self-annihilation. “That’s the craziest thing—that’s the weirdest thing to say in a place like America, where I have no ambition.